M.MOVEMENT

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Public Intimate, 2019
Selfdom, 2019
Whose Eyes I Am
ˌrēkənˈteks(t)SH(əw)əˌlīz/
Whose Eyes I Am
Trophies
Whose Eyes I Am
Minds Mirror
ˌrēkənˈteks(t)SH(əw)əˌlīz/
Whose Eyes I Am
Public Intimate
Selfdom
Whose Eyes I Am
Selfdom
Possible Worlds
be.fore
ˌrēkənˈteks(t)SH(əw)əˌlīz/
Possible Worlds CRAIVElab
 Radically inhabiting the body leads to social reform.”
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Mercedes's early work, building off circus, was concerned with different orientations of gravity/scale. More recently it deals with issues such as memory, and (physical & digital) space/time. Her practice has undergone a series of explorations in composition dynamics and representations of the body and the space surrounding it. Initially using video as a personal documentary practice dealing with memory, she later adopted it as a means to upend traditional concepts of scale/intimacy during performance. ​
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